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Custom Term Paper Writing Service Test

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The Hidden Fire The True Character of Allison Porter - Literature Essay Samples

When talking about masterpieces in English theater, John Osborne ´s â€Å"Look back in anger† must be mentioned. Kenneth Tynan, critic for The Observer in 1956, claimed the play to be â€Å"the first totally original play of a new generation† (Bond, 1999). The main character, Jimmy Porter, breaks the mold of the â€Å"knight in a shining armor† and brings on scene the â€Å"angry young man†. Behind Jimmy ´s fiery, outshining monologues stands his friend Cliff and his wife, Alison. Some critics define Alison as a submissive figure, victim of Jimmy ´s rage. But this assumption impedes us to discover another reality behind her silence. In this essay I argue that Alison is not really a passive character and how the couple is just evading reality with the figures of â€Å"the squirrel and the bear†. Emine Tecimer quotes from Austin E. Quigley: â€Å"Jimmy’s attacks on Alison repeatedly focus on what he perceives as her lethargy, her timidity, and her readiness to accept whatever comes her way† (Quigley, 1997, cited in Tecimer, 2005: 14). Before moving on, let ´s develop these ideas around Alison. Both her actions—leaving everything she knew for Jimmy— and some pieces in Jimmy ´s discourse— â€Å"Oh, it’s not that she hasn’t her own kind of passion. She has the passion of a python.† (Jimmy, Act I, p. 37)— demonstrates a passionate, loving and sacrificed woman. What may appear as lethargy could be tiredness from evading her husband ´s outbreaks and avoiding confrontation; but why does she act this way? Afolayan, in â€Å"Poetics of Anger in John Osborne’s Look Back in Anger and Femi Osofisan’s The Chattering and the Song.†, quotes: Luc Gilleman sees her inactions as participatory. He states t hat â€Å"the provocation – withdrawal interaction pattern in Look Back in Anger appears to be â€Å"complimentary† in that one of the partners reacts with the complimentary behavior of submission to the verbal attacks of the other.† [Denison 78]. In fact, Gilleman contends that â€Å"Alison’s withdrawal is secret provocation †¦Ã¢â‚¬  (Afolayan, 132). Certainly, this might be true in a subconscious level; Cliff says something that might corroborate that idea: â€Å"Cliff —I’m wondering how much longer I can go on watching you two tearing the insides out of each other.† (Cliff, Act I: 28). Nonetheless, those dense silences may not have a defensive purpose. Alison is a middle-class woman; therefore, she has been taught to keep her composure on every situation, which means she must keep her emotions for herself. Moreover, that is a continuous reminder of her â€Å"posh† origins; for Jimmy, Alison is a symbol of the middle class that he resents. Her numbness could be a reminder of his mother as well, who looked after Jimmy ´s father (after he came back from war and died) without ever complaining —he always blamed her for not caring enough—. Hence, Alison is in a complicated position; she is between her family and everything she has learned; and her love to a passive-aggressive Jimmy. She ends up taking an inactive position, as she regrets it almost at the end— â€Å"I don ´t want to be neutral† (Alison, act III: 95)—. Even though Alison manages to stay calm, Jimmy ´s fury and continuous judgement overwhelms her. Besides, she still loves her husband and has no desire to upset him back:  "I pretended not to be listening – because I knew that would hurt him, I suppose.† (Alison, act I: 28). She is unable to â€Å"take his suffering away from him†, for she knows â€Å"he ´d be lost without it† (Alison, act II: 54). In the end, this lead her to silence. Whenever she is alone with Cliff, Helena or her dad, she speaks and gives us a cold glance of her despair; but when Jimmy appears, his monologues charged with bitterness overshadows anything she might argue. The majority of her few words to him are related to mundane or real things, not to his complaints— â€Å"Oh I haven ´t read it yet† (Alison, act I: 11)—. She only manages to raise her voice in front of him when she assumes a maternal role: â€Å"Alison—Look out, for heaven’s sake! Oh, it’s more like a zoo every day!† (Alison, act I: 15) and when she has reached her limit of pain at the end. We should make a stop here and discuss the relationship between Cliff and Alison. To many critics and readers, there could be an affair between them. Even Helena, Alison ´s friend, find their relationship as â€Å"a little strange- by most people ´s standards† (Helena, Act II: 47 ). It is true that they are bonded by a mutual feeling, but not for themselves: they both love— and suffer— Jimmy. Alison needs a confident: she has separated from her family and friends while taking her husband’s attacks every single day; Cliff becomes a support in real life and a counselor— I’ve never heard you talking like this about him. He’d be quite pleased.† (Cliff, Act I, scene one: 30)—; she takes care for him as well. They give each other strength to resist both Jimmy and reality. Time is moving, the world is changing; henceforth, the personages have decided to trap themselves into the routine of â€Å"just another Sunday eveningâ⠂¬  (Jimmy, act I, scene one: 17). Jimmy is aware of the changes and injustices that seem to menace his world, as well as the numbness of those who surround him. As a result, he resists and defends himself from a â€Å"pretty dreary† time: the â€Å"American Age† (Jimmy, act I, scene one: 17); he intends to wake everyone up. Alison just evades Jimmy ´s words and resigns to her new reality (both personal and social), because she has â€Å"burnt her boats† (Alison, act II, scene one: 47). This is ironic: it was that â€Å"fire† in Jimmy, this sense of life, danger and passion he emanated, that attracted her. His attachment to the past (a one-man battle) and her negative to follow his path only widens the bridge between them. Ironically, the only time when they can be themselves is when they escape the real world and become the bear and the squirrel, then â€Å"everything just seems all right suddenly† (Alison, Act I, scene one: 34). By evading rea lity, Jimmy and Alison break down the walls of social classes and allow themselves to be naà ¯ve, playful, natural, even to set free their lust, just like animals. It is interesting to see how they adopt contrasting characteristics of these animals in reality (out of the game) without being aware. Let ´s ignore their casual physical resemblance to the animals and focus on their temper. Most of the time, Jimmy is attacking anyone, just like an angry bear does when in danger or pain. However, when he plays with Alison, another side of his personality comes out: â€Å"tenderness† and sweetness. He is no longer a beast, but a teddy bear that one is compelled to love. And how does Alison mirror the squirrel? She is usually evading Jimmy ´s attacks; yet, she remains still, like a statute —or a toy—. Only some few words let him know she is there, at least in body — â€Å"Oh, give it to him, Jimmy, for heaven ´s sake! I can ´t think!† (Alison, act I, scene one: 10)—. In the game, she comes out from her impassiveness (Claire Bloom ´s representation of the squirrel is excellent to see a cheerful Alison with â€Å"crazy eyes†). The game reaches its climax when the innocence becomes lust and the two lovers become one in a passionate instant. Although Jimmy is constantly showing his annoyance, it only hides his real emotions, which means he is not completely authentic either. The fury in Jimmy is nothing but a cover: to his nostalgia—the glorious time of England is coming to an end, while America gains power, invading politics and culture—; his resentment for the opportunities he could never get (unlike Nigel, Alison ´s brother) because he is nothing but an educated working-class man and to his many struggles to have a fairly decent â€Å"life†, being â€Å"a young man without money† (Jimmy, act II, scene one: 59 ), not as Alison ´s family and friends. He â€Å"learnt at an early age what it was to be angry- angry and helpless†, (Jimmy, act II, scene one: 58) by experiencing his father ´s death; he feels rejection as well, thinking that for the love of his life he is nothing but â€Å"a dirty word† (Jimmy, act I); and he has nobody to share those feelings with. Furthermore, Jimmy is also a victim of social pressures related to gender. For a heterosexual man, crying would be inappropriate. He has been deprived of his right to mourn aloud. Thus, he must choose between being an inexpressive gentleman or a rebellious man. His decision affected him and everyone he knew and loved, especially Alison. Another key aspect to consider Alison ´s actions in the play is her pregnancy. For her, having a baby was not an option— â€Å"It’s always been out of the question. What with – this place, and no money, and oh – everything. He’s resented it, I know.† (Alison, act I, scene one: 29)—. This, as well as Helena ´s arrival and subsequent â€Å"advices†Ã¢â‚¬â€ â€Å"But you can’t go on living in this way any longer† (Helena, act II, scene one: 46)— helped her to leave. Right after the stroke of Hugh ´s mom, Jimmy was so demoralized that he even allowed himself to be vulnerabl e and ask for help â€Å"I need you†¦to come with me† (Jimmy, act II, scene two: 62). In spite of this, Alison was no longer able to help him: she was about to leave him and pass through her own process. Only one person stayed to face the coming storm: Helena. She was not afraid of being there when Jimmy came back devastated and saw Alison ´s note, she was there, as always with â€Å"strength and dignity† (Introduction, act II, scene one: 40); that note was actually a big hit for him, yet he used once again his anger as a pivot to blame Alison: â€Å"She couldn’t say ‘You rotten bastard! I hate your guts, I’m clearing out, and I hope you rot!’ No, she had to make a polite, emotional mess out of it!† (Jimmy, act II, scene two: 90). Yet, Helena was able to confront his anger and that attracted him. He finally could share his emotions with someone and satisfy his desire, all at once. During their short relationship, she managed to â€Å"settle in so easily somehow† (Alison, act III, scene one). Still, Jimmy always loved and desired his wife above all— â€Å"There’s hardly a moment when I’m not – watching and wanting you.† (Jimmy, act I)—. Once Alison had lost her baby, she reached the bottom: she was alone. She came back hating herself; she was starting to connect with her feelings, and letting them out— â€Å"You sound as though you were quoting him all the time.† (Helena, act III, scene one: 89). At last, she found something to relate with her husband in a deeper, real, human level (besides sex): pain and sorrow. She was ready to be â€Å"a lost cause† like Jimmy. Helena loved Jimmy, but she could not â€Å"take part- in all this suffering† (Helena, act III, scene two). Alison Porter is a more complex character than people think. Their story may seem as that of an abusive husband and his martyr wife; but it is actually the tale of two broken lovers trying to find themselves. Behind a mask of no emotions, hides a sorrowful woman trying â€Å"to be a saint† (Alison, act II); behind a mask of malice, hides a misunderstood man. The only glances of happiness and authenticity Alison enjoys are those when Jimmy and herself join hands and escape reality in animal forms; in their world, there are no social standards or judgmental looks, just a bear and a squirrel, â€Å"all love, and no brains† (Alison, act II, scene one: 47). Bibliography Bond, P. â€Å"Look back in anger by John Osborne†. World Socialist Web Site, September 14, 1999. Web: https://www.wsws.org/en/articles/1999/09/look-s14.html (Accessed April 10, 2017). Falak N., Anila J. â€Å"An analysis of identity crisis of Osborne ´s character ‘Jimmy Porter’ in Look back in Anger†. Brithish Journal of English Linguistics, September 2015. 20-24. Web: http://www.eajournals.org/wp-content/uploads/An-Analysis-of-Identity-Crisis-of-Osbornes-Character-Jimmy-Porter-In-Look-Back-in-Anger.pdf (Accessed April 9, 2017). F. Afolayan, B. â€Å"Poetics of anger in John Osborne ´s Look back in anger and Femi Osofisan ´s The Chattering and the song†. British Journal of English Linguistics, 2012. 123-141. Web: http://www.bjournal.co.uk/paper/bjass_5_1/bjass_05_01_13.pdf (Accessed April 8, 2017). Osborne, J. Look back in anger. London: Faber and Faber, 1957. Tecimer, E. â€Å"The analysis of the theme of anger in John Osborne ´s plays: Lo ok Back in anger, Inadmissible evidence, Watch it come down†. Middle East Technical University, july 2005. Web: https://etd.lib.metu.edu.tr/upload/12606208/index.pdf (Accessed April 9, 2017).

Final Report Towards The Fulfillment Of My Course Cs5020 (...

CPT Final Report Balaji Pulluri 700623394 Professor: Dr. Xiaodong Yue chair Professor, Dept of Mats Comp. Sci. Subject: Submission of Final Report towards the fulfillment of my course CS5020 (Internship in Computer Science). Job Duties I was given the work as what a fulltime employment do but given a flexibility over deadline as I was an intern for first few weeks. I have worked on developing a new interface for the category search and also working on the SEO tickets and fixing the bugs. I worked on the tracking ticket, implementing the complete tracking(Click and Impression tracking) for a third party data provider. I was working on JavaScript over NodeJs framework and the Jade Templating. Worked on†¦show more content†¦Now the user has different tabs for each of the above functionality stated. For the better and reliable of access to user, build a new functionality that has all the three functionalities under one tab. Now on submitting, I have written an Action class to populate the results on the same page. Incorporating two new functionalities, one is user has the ability to check the items, which are needed to support the above functionality. Previously the reorder or replacement function was in support for all the orders made. The other functionality is the user needs to select the Reasons and based on the reason selected the sub-reasons should be provided to select. Populating the Sub-reasons based on the reason selected by connecting to the database. Working on the Full Reorder Tool by building UI and writing code of JavaAction classes and populating the results as per the requirement. Building java pages for the Full Reorder tool and Internal Reorder Tool. Writing Reasons table in database which are product specific and getting the results on UI of Full Reorder Tool. Building and Modifying the necessary changes over Full Reorder working tool. Writing new tables and its properties into the database to store the items from the Full Reorder tool. Needed to change the code over java files and jsp’s for the UI changes. Adding Validations for the Scripts.Debugging the errors in the Stage environment. I also worked on Research of removing the delay of 400ms over tracking

The Debate Over Unauthorized Use Of A Persons Art Work

In contemporary photography a major issue has been debate over unauthorized use of a person’s art work to create something new. Appropriation is the most frequently used word whenever a body of work comes into question. Exploring deeper into this phrase used to justifying stealing, may sound simple on the surface, but appropriation has been a hot topic for many legal battles that can favor either side. Photographers and other artist are constantly in and out of court, fighting that their works is being infringed, while others argue originality. What guideline is there to protect someone from their being considered stolen? Exploring the laws behind appropriation and plagiarism, as well some photographer that fought on both sides may give a better idea of on how one can protect them. The first step to understanding the controversy appropriation is to know the definition, The MOCA in Los Angeles states, â€Å"To appropriate is to borrow. 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In the following sections, this discussion will meander from identifying the problem of software piracy, what exactly software piracy means, the obstacles of

Economics for Business Microeconomics Deals Economy

Question: Describe about the Economics for Business of Microeconomics Deals Economy. Answer: Introduction Macroeconomics deals with the performance of the economy in the short and long run adhered to the macroeconomic variables prevailing in the country. It helps in analysing the complexities and the method in which the country works (Mankiw, 2014). It deals with the production of all the goods and services in the economy that thereby considers the national market of the country. This essay explores the short run and the long run equilibrium in the economy, where it analyses the short run equilibrium and the challenges that are explored in the short run. Along with that, the long run equilibrium of the economy set by the principles and theories are stated where the government plays a major function in attaining the equilibrium. The essay helps in analysing the reason for the stable economy to operate at an output level where the aggregate demand curve, long run and the short run aggregate supply curve intersect. This study has been divided into further subdivisions that would analyse the objectives of the essay in a orderly manner. The essay at first depicts the aggregate demand curve, short run supply curve and the long run supply curve. Following the definition of the three, it analyses the short run equilibrium, government intervention in the economy followed by the long run equilibrium. Aggregate Demand Curve, Short Run Aggregate Supply Curve and Long Run Aggregate Supply Curve Aggregate demand curve of an economy consists of the consumption expenditure, planned investment, government purchases and net exports. It is a downward sloping curve which could be written as Y= C+I+G+NX (Stock Watson, 2016). The shift in the aggregate demand curve could be a result from change in the autonomous monetary policy, government purchases, taxes, net exports and consumption expenditure. Short run aggregate supply curve consists of three aspects, expected inflation, output gap and inflation shock. The supply curve is a positively sloped curve, where the slope of the curve depends upon how fast the prices respond about the variations in the output gap (Buiter, 2014). Long Run Aggregate Supply curve is determined by the amount of capital and labour used in manufacture along with the accessibility of technology usage in the production process. The natural rate of output is vertical which is generated by the natural rate of unemployment. Equilibrium in the short run In the short run term of an economy, equilibrium is achieved when the aggregate demand curve intersects the aggregate supply curve. The economy consists of three markets, namely, labour market, financial market and product market (Benigno, Ricci, Surico, 2015). It is quite vital for an economy to achieve equilibrium in all these three markets, that would help the economy to flourish. Availabilities of various fluctuations are noticed in the aggregate demand and aggregate supply model faced by an economy. This would be shown with the help of the following figure : Figure 1: Short Run Equilibrium (Source: As Created By the Author) In figure 1, initial aggregate demand and supply curves were AD and AS1, and equilibrium occurs at point E1. The equilibrium price level is P1 and Y1 corresponding to that equilibrium point. Sudden supply shocks are experienced in the economy, which causes a rightward shift of the supply curve. The increase in supply results from the shift of the supply curve from S1 to S2. Corresponding to the new equilibrium, the new price level is achieved at P2 and output level at Y2. Hence, it could be seen that there is a fall in the price level of the economy and a rise in the output level. In the short run, not all the factors of production are variable in nature. At least one of the factors are considered to be fixed. Hence, it could be stated that the economy may or may not be able to achieve the stability in the market after the supply shock that has been experienced. Government intervention In order to bring stability in the short run of the economy, government plays a vital role in imputing certain measurable changes that could bring the situation under control. Government exercises various expansionary and contractionary fiscal measures depending upon the situation (Scarth, 2014). In order to reduce the output in the market, the government employees certain contractionary measures, whereas, in order to overcome the deficit in output, the government undertakes expansionary measures in the economy. These measures help in restabilising the current state of the economy. The government can impute changes in the level of taxation, employment level, inflationary measures and other economical aspects, thereby accessing the equilibrium position of the markets. Long run equilibrium The Long Run Supply Curve faced by an economy is vertical, and it is quite important for the economy to choose a point of economys equilibrium where the aggregate demand curve, short run aggregate supply curve and the long run aggregate supply curve intersect. Figure 2: Long Run Equilibrium (Source: As Created by the Author) In the following figure, at first equilibrium occurs when AD1, AS1 and LRAS intersect. At that point, the short run equilibrium is in accordance with the long run equilibrium output, Q. With the change in some fiscal policy measures, there is an decrease of the aggregate demand curve from AD1 to AD2. This would shift the equilibrium point away from the long run equilibrium achieved earlier. There would be a rise in the price level along with the rise in the output. This would be considered as the new short run equilibrium in the economy (Weeks, 2013). Yet, as the economy further moves towards the long run, the expected price level of the economy would come in accordance with the actual price level of the firms, producers and workers. This would correspondingly shift the AS curve from AS1 to AS2. This would thereby shift the equilibrium position back in alignment with the long run equilibrium. Hence, it could be stated that during the short run in the economy, changes has been noticed both in the price level and the output level whereas, in the long run, changes are considered only in the price level and output remains the same. The contractionary measures affect the equilibrium exactly the opposite, yet, it manages to return back to the long run equilibrium level (Goodwin, Nelson, Harris, Torras, Roach, 2013). Hence, it could be stated from the above analysis that in order to attain stability in the economy, the aggregate demand curve, short run aggregate supply curve and the long run aggregate supply curve must intersect at the same point. Conclusion This study has provided the scope of analysing the mechanism and the process of how the economy manages to attain the equilibrium level of output amidst all the external and internal shocks prevailing within the economy. It is seen that these shocks affect the short run equilibrium level of the economy, yet, with the movement of the economy towards the long run, the stability is easily achieved. This stability brings changes in the price level yet; the output level remains the same. Government intervention in the short run time period of the economy helps in restoring the discrepancies that erupts. They utilize various fiscal measures in oirder to help the country to gain over such extreme situations. It provides the nation with the initiative of maintaining the demand and supply stability in the economy thereby, reducing unemployment and inflation. Relatively, the long run situation is achieved which enforces the stability of the country. Reference Benigno, P., Ricci, L. A., Surico, P. (2015). Unemployment and productivity in the long run: the role of macroeconomic volatility. Review of Economics and Statistics, 97(3), 698-709. Buiter, W. H. (2014). Temporary Equilibrium and Long-Run Equilibrium (Routledge Revivals). Routledge. Goodwin, N., Nelson, J., Harris, J., Torras, M., Roach, B. (2013). Macroeconomics in context. . ME Sharpe. Mankiw, N. G. (2014). Principles of macroeconomics. . Cengage Learning. Scarth, W. (2014). Macroeconomics. Books. Stock, J. H., Watson, M. W. (2016). Dynamic Factor Models, Factor-Augmented Vector Autoregressions, and Structural Vector Autoregressions in Macroeconomics. Handbook of Macroeconomics, 2, 415-525. Weeks, J. (2013). Book Review: A Modern Guide to Keynesian Macroeconomics and Economic Policies. Review of Radical Political Economics, 45(2), 240-242.